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Company Flow - Funcrusher Plus (1997) EAC Rip FLAC with CUE and log scans 448 mb MP3 CBR 320kbps RAR 197 mb Genre: hip-hop, rap Funcrusher Plus is the 1997 debut album by Jaime Meline, Leonard Smythe, and Justin Ingleton. They are better known as El-P-, Mr. Len, and Bigg Jus and together they were better known as Company Flow. This was released on 28 July, 1997 Tall tales of the South often include unbelievable tales of a miner swinging his pickaxe at a rock and missing - striking earth and unleashing a huge gusher of crude oil airborne at the point of impact.
We all know such implausible scenarios only happen on TV shows like 'The Beverly Hillbillies'; yet in 1997 this very circumstance was on the horizon of New York hip-hop. Bubbling unseen underground, Company Flow's triumvirate of artists was just waiting for that one lone pickaxe to strike dirt and unleash their liquid audio gold into the air. Enter Rawkus Records. Partially funded by Daddy Warbucks (actually, Rupert Murdoch) but looking for credibility in East coast underground rap, Rawkus turned to Official Recordings. Company Flow has already released 'Funcrusher' to some minor success and critical acclaim, so the idea to repackage the album as a 'Plus' with extra tracks for a larger audience was a perfect match.
Even though Rawkus probably smelled success from the jump, they had no idea the sensation this record would make when released to the mainstream. The elements all fell into place perfectly - El-Producto providing the majority of the beats, tag-teaming with Big Juss on the raps, and DJ Mr. Len providing the quintessential scratch for a perfected hip-hop sound. Lots of underground groups can claim to have equally dope rappers and producers, but Company Flow achieved a gestalt where the sum of the sound was greater than the parts.
Lyrically they did not shy away from complexity; in fact, the obscurity of the content became their calling card along with beats that were so heavy they could be called SUMO. For the purchaser, it all starts with the cover art - a surreal purple backdrop of ant-like aliens flexing their mandibles and jamming to music on their headphones. Inside, underneath a clear orange plastic tray, El-Producto is brazenly waving his middle finger as Len and Bigg Jus look on, with the motto 'Independent as Fuck' inscribed beneath. Surely you grasp the concept - Company Flow feel like outsiders in their own world and instead of being accepted they'd rather be outlaw renegades.
El-P's lyrics reflect that attitude on the song 'Legends' when he raps, 'Fuckin with your theology like Darwinism in the Bible Belt.' Bad Touch Example 02. 8 Steps To Perfection 03. Collude/Intrude 04. Help Wanted 08. Population Control 09. Definitive 11.
Lencorcism 12. 89.9 Detrimental 13.
Vital Nerve 14. Tragedy Of War (In III Parts) 15. The Fire In Which You Burn 16. Krazy Kings 17. Last Good Sleep 18. Info Kill II 19.
Funcrush Scratch –- El-P (El-Producto) Bigg Jus Mr. Len SPECIAL GUESTS: J-Treds (tracks 3 and 15) BMS (track 13) The Brewin from The Juggaknots (track 15) Produced by El-P (El-Producto) 'Line TNS' produced Bigg Jus 'Lencorcism', 'Funcrush Scratch' and intro to 'Last Good Sleep' produced by DJ Mr. Len All cuts designed and executed by DJ Mr. Len All verses written by El Producto and Bigg Jus respectively Recorded and engineered by Vassos, Jeff Cordero & Walker Bernard Mixed by Vassos, El-P, and Jeff Cordero Recorded & mixed at Ozone Studios, NYC Tracks 2, 5 & 10 recorded, engineered & mixed at No Mystery Studios Mastered by Chris Athens at Sony Studios, NYC –-: 10 of 10 TOTAL Vibes: 10 of 10.
Listening to Company Flow is not a casual experience. 'We always drew people down the middle,' El-P remarked. 'There were never people who were like 'Eh, it's all right.' It was either 'I wanna find those guys and beat them senseless because their crazy noise is hurting me' or 'This is fucking incredible.'
' But despite their divisive reputation, Company Flow had an important role as one of the last crucial bridges between the East Coast hardcore battle rap of the 1990s and the deep-end abstraction that was to follow in the transition from underground hip-hop to 'indie rap'. It's the kind of rap that was out-there enough to be aggressively polarizing, yet true enough to the game that no less a classicist than DJ Premier co-signed it. Looking back at the tracks that first appeared on 1996's Funcrusher EP and the additional material that supplemented it on Funcrusher Plus a year later, you can hear where many of those space-rap acolytes of the late 90s got their motivation (even if they frequently picked up their verbosity without retaining their b-boy bonafides).
But you can also hear the precedents, harbored in the grimy beats and cipher-based shit-talk that has a stylistic younger-brother kinship with the likes of Organized Konfusion, D.I.T.C., and first-wave Wu-Tang. Now, after a few years in Rawkus-entangled out-of-print limbo, Funcrusher Plus has been reclaimed by Definitive Jux, brought back in a no-frills yet still-essential reissue that serves as a valuable reminder of how advanced MC/producers El-P and Bigg Jus and DJ Mr. Len were at the time- and, well, now. If you're more familiar with their solo work, Funcrusher Plus might be a bit of a surprise lyrically. There are a few signs of the personal details that'd inform El-P's later material- 'Last Good Sleep', in particular, is a vivid, stomach-turning account of growing up being kept awake by domestic violence- and subtle hints at the more culturally focused material Bigg Jus would develop in his later career, most clearly in the recollections of his graf-artist days in 'Lune TNS'. But for the most part, they're on some wall-to-wall battle-rap punchline business, and it's crafty, bewildering, repeat-rewind material. There's a defiantly sick sense of humor all throughout Funcrusher Plus, starting with the anti-child-molester safety record intro on opening track 'Bad Touch Example' and extending through El and Jus' punchlines, which mash up pop-culture references, conspiracy theories, threats of physical trauma and independent, anti-industry broadsides into a mutant strain of hyper-crowded lyricism that borders on information overload.
They're never content to lay an obvious, straightforward metaphor on the table; where average MCs might claim they 'shine like a light bulb,' Bigg Jus' showcase verse on 'Silence' has him 'encased in a glass dome, I pull mikes like filaments/ I'm tungsten, light within that causes somethin'.' If that reads like a parody of backpacker wordiness, on record it sounds like verbal swordsmanship. Other punchlines are a bit more to-the-point but no less audacious: 'I see through pussy like the invisible woman' (El-P on 'Blind'); 'MCs couldn't hang if they was lynched by the Grand Dragon' (Bigg Jus on '8 Steps to Perfection'); 'Even when I say nothing it's a beautiful use of negative space' (El-P on 'The Fire in Which You Burn'). But even more pivotal to their style than their punchlines is the way they're thrown at you: relentlessly, with a minimum of setup, weaving between clarity and abstraction until the two of them are blurred. Both Jus and El have deliveries that switch from traditional on-the-beat flow to a manic, hectoring semi-conversational tirade when you least expect it, a technique even more indicative of their anti-commercial stance than their prevalent fuck-a-label rhymes.
It's all so dense and serpentine and intricate that pretty much every single attempt to transcribe it has left Funcrusher Plus' Original Hip-Hop Lyrics Archives entries riddled with question marks and mistakes. Twelve years and dozens upon dozens of listens after first buying it, I'm still catching new details. And aside from the lyrical epiphanies you might get from return visits, the other reason to keep Funcrusher Plus on rotation is its production, which boasts some of the most oxidized, tetanus-infected doom-rap beats of the era. With the exception of the nocturnal crystalline funk of the Bigg Jus-produced 'Lune TNS' and the frequent scratch contributions from secret weapon DJ Mr.
Len, Funcrusher Plus' beats bear the mark of El-P's dusty-but-digital aesthetic, which even back then had the same sort of beautiful-dystopia Blade Runner feel that informed Cannibal Ox's The Cold Vein and his own Fantastic Damage a few years later. 'Krazy Kings' and 'Blind' explode with horn blasts amputated from brassy jazz and funk and turned into jeering exclamation points, 'Legends' has this great woozy-sounding blues-funk lope to it that perfectly evokes late night smokin'-and-drinkin' surliness, and the vertiginous guitar loop in '8 Steps to Perfection' is such a stark example of psychedelic horror that sample-spotters might want to start looking in late-60s LSD-awareness educational films if they want to find its source. But no matter how close the atmosphere gets to nightmarish slasher-flick ugliness or bionic space-age futurism, the beats beneath still knock; everyone remembers that fuck-around-sounding three-note synthesizer riff from 'Vital Nerve' but it's laid over this heavy-ass drum break that makes you want to just punch the hell out of something. Aside from some subtle remastering that thankfully still preserves the album's underground grit (like Bigg Jus' spit-via-intercom presence on 'Krazy Kings'), this edition of Funcrusher Plus isn't exactly deluxe. Some fans might be disappointed in this reissue for completist reasons- it doesn't include 'Corners '94', a highlight on the double-LP version, and there's no bonus disc of fan-favorite post- Funcrusher singles like 'End to End Burners', 'Simple', or 'Patriotism'.
But it's still absolutely necessary, and not just for rights-reclamation reasons. As abrasive and confrontational as this album might've sounded in the Bentley-buying shiny-suit atmosphere of 1997, Funcrusher Plus seems both more vital and more unfathomable now: vital because its independent-minded ethos seems to be getting its long-awaited validation in the post-going-diamond era, and unfathomable because few of its practitioners have been able to extend this far out into the furthest reaches of abstract lyricism and still retain that classic b-boy connection.